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Monogrammist I B

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The long and tortured career of Ira B. Arnstein, ""the unrivaled king of copyright infringement plaintiffs,"" opens a curious window into the evolution of copyright law in the United States. As Gary A. Rosen shows in this frequently funny and always entertaining history, the litigious Arnstein was a trenchant observer and most improbable participant in the transformation of not just copyright, but of American popular music itself.A musical prodigy in the late nineteenth century, Arnstein performed as a boy soprano at the famous 1893 ""White City"" exhibition in Chicago. He grew up to be a comp

Copyright --- Copyright infringement --- Fair use (Copyright) --- Music --- Arnstein, Ira B. --- Arnstein, I. B. --- Arenstein, I. B.

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Ibn al-Khaṭīb, --- Granada (Kingdom) --- History.

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Theosophy. --- Théosophie --- Böhme, Jakob, --- Bohme, Jakob --- Théosophie --- Böhme, Jakob, --- Theosophy --- Cosmology --- Religions --- Anthroposophy --- Böhme, Giacomo, --- Boehme, Jacob, --- Böhme, Jacob, --- Boehm, Jacob, --- Behmen, Jacob, --- Behme, Jacob, --- Behm, Jacob, --- Teutonicus, --- Teutonicus Philosophus, --- I. B. T., --- T., I. B., --- I. B., --- B., I., --- Teut, I. B., --- A. S., --- S., A., --- Boehme, Jakub, --- Boehme, Jakob, --- Böhme, Jakob --- Böhme, Giacomo --- Böhme, Jacob --- Boehme, Jacob --- Böhme, Jacob --- Boehm, Jacob --- Behmen, Jacob --- Behme, Jacob --- Behm, Jacob --- Teutonicus --- Teutonicus Philosophus --- I. B. T. --- T., I. B. --- I. B. --- B., I. --- Teut, I. B. --- A. S. --- S., A. --- Boehme, Jakub --- Boehme, Jakob

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These appropriations fall into two main groups: those pertaining to the name Böhme or a life assigned to it, and those involving concepts or images from the mystic's oeuvre. The first group constituted an attempt to co-opt the aura of sanctity attached to portrayals of the poet-prophet in order to invest Romantic Poesie with the sacral standing of religion. The second group, exemplified by Friedrich Schlegel and Friedrich Schelling, involved the borrowing and radical redefinition of a few concepts and images from Böhme's work in the hope of bridging the gap between the abstract first principle of idealism and the personal God that became an emotional necessity for both thinkers. Jena Romanticism and Its Appropriation of Jakob Böhme treats the Romantic reception of Böhme as a striking example of how the past is appropriated and rewritten in the service of self-affirmation. Analysing the need and the techniques for this self-affirmation sheds light on the nature of the self to be affirmed and on the content and underlying motivation of the Romantic program.

Romanticism --- Philosophy, German --- Böhme, Jakob, --- Böhme, Giacomo, --- Boehme, Jacob, --- Böhme, Jacob, --- Boehm, Jacob, --- Behmen, Jacob, --- Behme, Jacob, --- Behm, Jacob, --- Teutonicus, --- Teutonicus Philosophus, --- I. B. T., --- T., I. B., --- I. B., --- B., I., --- Teut, I. B., --- A. S., --- S., A., --- Boehme, Jakub, --- Boehme, Jakob, --- Theosophy --- Romanticism - Germany. --- Philosophy, German - 19th century. --- Theosophy - Germany. --- Böhme, Jakob --- Böhme, Giacomo --- Böhme, Jacob --- Boehme, Jacob --- Böhme, Jacob --- Boehm, Jacob --- Behmen, Jacob --- Behme, Jacob --- Behm, Jacob --- Teutonicus --- Teutonicus Philosophus --- I. B. T. --- T., I. B. --- I. B. --- B., I. --- Teut, I. B. --- A. S. --- S., A. --- Boehme, Jakub --- Boehme, Jakob